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      <title>Etude Music Magazine</title>
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      <copyright>Copyright 2012</copyright>
      <lastBuildDate>Thu, 01 May 1902 22:04:41 -0500</lastBuildDate>

      
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         <title>Five Minute Talks With Girls, By Helena M. Maguire - January, 1902</title>
         <description>To the Beginners in Harmony. Studying harmony means gaining a working knowledge of the materials used in making music. It does not necessitate a gift for composition; it does not require that you have even so much as a desire to write music; but, as you who play use exactly...</description>
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         <title>Five Minute Talks With Girls, By Helena M. Maguire - December, 1901</title>
         <description>The relationship of the brother and sister of to-day is, of course, different in many ways from what it was in the time of Lazarus and Mary, or even in the days of Wolfgang and Nanny Mozart. Girlhood has received what it has long been petitioning for, co-education; but the very privilege which has permitted you to enter the ranks and march beside your brother has made you a respon­sible person, you music-students with the rest.</description>
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         <title>Five Minute Talks With Girls, By Helena M. Maguire - May, 1902</title>
         <description><![CDATA[By Helena M. Maguire The Art of Fingering as Applied to the Pianoforte Legato. &ldquo;It takes the art instinct to make sufficient account of the very small things in the study of music.&rdquo; In the March Etude Mr. Louis Arthur Russell, in writing of the different touches used on the...]]></description>
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         <title>Five-Minute Talks To Girls - January, 1900</title>
         <description>Individuality is indeed such a rare thing, you know. One has to sift one&apos;s self through such a heap of readymade thought before one is able to squeeze out even one little drop of individuality, and even then it is questionable if this drop be not a composite of other men&apos;s wisdom, and have only the color of originality from having passed through such a wondrous variety of knowledge and experience as to bear no noticeable resemblance of any one influence.</description>
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         <title>Five-Minute Talks With Girls. - March, 1900</title>
         <description>BY HELENA M. MAGUIRE. The People to Whom a Girl Plays. Music has a two-fold influence: first upon the character of the girl who studies it; and, secondly, through her, upon those for whom she makes music. Music is to a girl an intimate, personal joy; but she also has...</description>
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         <title>Five-Minute Talks With Girls. - April, 1900</title>
         <description><![CDATA[BY HELENA M. MAGUIRE.&nbsp; Reading Between the Staffs.On glancing carelessly at a sheet of music one receives the impression that all the music is on the staffs, but closer observation proves that that which is between the staffs is just as much music as that which rests directly upon the...]]></description>
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         <title>Five-Minute Talks With Girl Pupils - February, 1900</title>
         <description>Listen to the voices of those who are tone-deaf, who are without a sense of tonality, and see if you do not miss something. The speaking voices of such remind me of nothing so much as of two boards being struck together, or the &quot;clappers&quot; in which boys delight. I remember, when at school, two boys being excused from singing because, on examination, they were found to be tone-deaf. This seemed to me most extraordinary at the time, but I have since met with many who are without any sense of pitch, tonality, or key-relationship. I want you to be sorry for these people, and to think of the pleasure they can never share with you. </description>
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